2025 Art in Public Places Pass in partnership with Dublin Arts Council

Expiration: Apr 14th 2026

Explore 12 must-see public art installations in Dublin, curated by Dublin Arts Council and redeem points for a public art inspired tote bag, illustrated by local artist Bryan Moss. 


Included Venues

See locations on an interactive map.

Grounds of Remembrance

Grounds of Remembrance was designed by Lisa Rapoport and PLANT Architects from Toronto Canada to provide a place to honor those who have served and sacrificed themselves for our country. Grounds of Remembrance includes a public gathering place, a bronze loggia, a memory wall where visitors can leave notes of appreciation, a grove of 25 sycamore trees and a walkway paved with dedication stones etched with tributes and messages of gratitude.

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In the Neighborhood

In the Neighborhood, by local artists Eric Rausch and Jen Kiko, consists of 3,444 pieces of hand-cut, hand-painted ceramic tiles. The energetic living scene of the natural characters found in the mosaic artwork is inspired by Valentina’s Italian flair and the few things that Ohio and Italy share - Sunflowers (Girasole in Italian) and the Brown Sparrow (Passero, Italy’s national bird) as well as other local flora and fauna.

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One Scene

“One Scene” is installed on the expansive Dublin Recreation Center wall that serves as a backdrop to the entryway pond. The cast bronze and poured glass artworks by Hiroshima, Japan-born sculptor Daisuke Shintani, are evocative of numerous tree leaves with vine branches. Shintani now lives in Allentown, Pa., and his work is exhibited and collected in Italy, Japan, Switzerland, France, Germany, Canada, Russia and the United States.

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Daily Chores

The Daily Chores sculpture by local artist Michael Tizzano was inspired by Dublin’s historic town water pump that sat in the middle of the intersection of what is now Bridge and High streets in the early 1900s. While the pump was a primary source of drinking water for the town, it was also a community gathering place where residents would come together to share news and connect with one another.

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Dwelling: A Snail's Journey Cracking Art

Three larger-than-life snails started out by adorning the front lawn of the Dublin Arts Council building located at 7125 Riverside Drive, Dublin, OH, USA. The artworks traveled from Milan, Italy where they were created by a group of six Italian-based artists known as Cracking Art. Formed in 1993, Cracking Art Group upholds a solid commitment to investigating social and environmental issues through the conception and creation of art.​

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The Boat in the Field
The Boat in the Field, by internationally aclaimed sculpture, Ilan Averbuch, consists of two intertwined images. One image is of a stone skeletal structure of a boat raised in the air as if frozen in mid flight. The other image is of a skeletal tower made of vertical steel beams covered with a sloping round roof. In juxtaposition these images represent stasis and kinesis, two forces vital to the human condition. Date Installed: 2023
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Feather Point
Artist Olga Ziemska’s sculpture takes inspiration from the Coat of Arms of Kosciuszo’s native Poland and finds commonality with Bill Moose, known as the last member of the Indigenous Wyandot Tribe to have lived in Ohio. Feather Point is a 20-foot-tall cast stainless steel sculpture patterned from trees found on the site. Date Installed: 2016
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Injection
David Middlebrook is a master of materials, beginning as a ceramic artist and evolving to a broad range of stone, marble and bronze works weighing from 50 lbs. to 50 tons. He has established himself as a specialist in large-scale, site-specific work.

Middlebrook’s Injection is a majestic bronze and stone sculpture that was installed at the pond’s edge near the Dublin Community Recreation Center in Coffman Park as part of the original Titration exhibition series in 2007.

Injection is approximately 6 feet tall and consists of three unique sections, a steel base, followed by basalt, and topped with a bronze cone-shaped piece that completes the sculpture. The large fingerprint that covers the top of the cone is that of the artist. Date Installed: 2007
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Watch House and Circle Mound
Watch House was designed and situated on its site so that it would reveal different aspects of itself slowly as the viewer moves toward the artwork. Artist Todd Slaughter intended the earthen mound and the house as a contemplative space for individuals and small groups, and as a counterpoint to the group activities of the Coffman Recreation Center located on the opposite side of the wooded, Indian Run Stream which runs between the two.

When approaching the Coffman Park Recreation Center entrance from Post Road, visitors first become aware of the twelve foot blacked-copper sphere which rises from behind the rim of the 220’ diameter circle mound.

As visitors approach the circle mound, they realize the spherical dome is perforated with cutouts and sets atop a copper-skinned house which is bridging a gap in the circle mound. The artwork’s reference to a planetarium and a house bridging a prehistoric Indian mound is intended as a celebration of the history and symbol of the future of Dublin. Date Installed: 1998
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The Simulation of George M. Karrer's Workshop
The Simulation of George M. Karrer’s Workshop by artist Brower Hatcher is designed to conjure a memory of Karrer’s blacksmith shop, which once stood on the project’s site in the late 1800s. The stone base signifies the original foundation, while the green and gold wireframe matrix is constructed as if it were a computer simulation depicting the original building. Embedded artifacts overhead represent the activity of the workshop and tools of the trade. The artwork was commissioned in 2010 to celebrate Dublin’s bicentennial, by a jury that included Dublin Historical Society and community representatives. Located at the corner of South High Street and Waterford Drive, the site is the home of the historic Karrer barn, a bank barn built in the late 1870s and listed on the National Register of Historic Places. The sculpture was completed and dedicated in 2011.

George M. Karrer came to Dublin from Germany in the 1850s. He built the barn on the site in 1876 with tools of his own making. He then relocated his blacksmith shop to the property from across the street and also operated platform scales to weigh large wagons for local farmers and merchants from a location next to the building. Karrer ran the farm with the help of his sons, but his primary business was serving the community with his technical craft. The wheelwright stone that he used to fit metal “tread” onto a wooden wagon wheel remained on the property and has now been incorporated into the artwork. Date Installed: 2010
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Field of Corn (with Osage Orange Trees)
Field of Corn (with Osage Orange Trees) is Dublin Art Council’s third Dublin Art in Public Places program project. The sculpture includes 109 human-sized (6 ft. 3 in. or 1.9 m) tall ears of corn that stand upright in realistic row patterns. The installation symbolizes the history of the community’s farming legacy and serves as a memorial to rural landscapes. The artist first visited the site in July 1993, noting a short row of mature Osage Orange trees, plantings which, at one time, would have extended for miles. The link to the not-so-distant farming past of the site led the artist to propose a field of human-sized ears of corn. After the design was accepted, Cochran learned the site had been occupied and used by the Frantz family. Field of Corn (with Osage Orange Trees) was dedicated Oct. 30, 1994.
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Leatherlips
Leatherlips, Dublin Arts Council’s first Dublin Art in Public Places program project, was created by Boston artist Ralph Helmick. The sculpture, a 12-foot high portrait of the indigenous Wyandot leader Leatherlips was installed in Scioto Park in 1990. The head is a composite structure of various sizes of native limestone stacked and mortared. The sculpture is open on the top and has stacked stones extending back along its sides, creating a small enclosure that enables visitors a view of the river, the sunset and the amphitheater.

Leatherlips was executed in 1810 by fellow tribesmen at a location very near Scioto Park. In fact, Leatherlips’ last hunting camp is said to have been located 2 miles north of Historic Dublin along the banks of the Scioto River near the location of the present-day park. Early histories by the white settlers of the time described Leatherlips as intelligent, dignified and peaceful. Leatherlips — known as Šaʔteyarǫnyes in Wandat, the traditional Wyandot language — gained his English name from white settlers because “his word was as strong as leather.” Date Installed: 1988
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